Topic

Fandom

Devotion organised into a culture, and sometimes a market.

2: in film
13:00: average
26 min: in total
22: across the network

Fandom across the network →

All briefs2

13:00

I Wanna Hold Your Hand

Robert Zemeckis · 1978

Set over one day in February 1964, I Wanna Hold Your Hand follows six New Jersey teenagers converging on New York City to witness the Beatles’ Ed Sullivan Show debut — without ever showing the band. Directed by Robert Zemeckis in his feature debut, it uses tight plotting, period-accurate detail, and ensemble performances to map fandom as a system of access, exclusion, and improvised agency. Though commercially unsuccessful on release, it has endured as a cult object for its structural rigour and humane farce.

13:00

The White Sheik

Federico Fellini · 1952

Federico Fellini’s 1952 debut as sole director follows a nervous groom whose bride vanishes in Rome to meet the hero of her favourite photo-strip. Built around the mechanics of Italian fotoromanzi, the film uses crisp comic timing, stylised cinematography and Nino Rota’s light score to dissect how mass fantasy reshapes desire, class performance and marital expectation — without sentiment or resolution.

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13:00

20th Century Women

Mike Mills · 2016

Set in 1979 Santa Barbara, Mike Mills’ 20th Century Women follows 15-year-old Jamie as his single mother Dorothea enlists two younger women — photographer Abbie and teenage friend Julie — to help raise him. Anchored by Annette Bening’s restrained performance, the film observes their overlapping lives with warmth and precision, treating feminism, illness, ageing and adolescence as lived conditions rather than themes. Shot by Sean Porter and edited by Leslie Jones, it moves at the pace of real conversation, building meaning through accumulation rather than climax.

13:00

24 Frames

Abbas Kiarostami · 2017

Abbas Kiarostami’s final film, 24 Frames, comprises twenty-four uncut, static shots — each ninety seconds long — observing nature, animals, and thresholds between interior and exterior. Beginning with animated movement superimposed on Bruegel’s Hunters in the Snow, it proceeds into real-world stillness, testing how much meaning resides in time, attention, and unmediated presence. Released posthumously at Cannes 2017, it is a rigorous, unsentimental essay on perception and impermanence.

13:00

3:10 to Yuma

Delmer Daves · 1957

Delmer Daves’ 1957 Western 3:10 to Yuma adapts Elmore Leonard’s taut short story into a study of obligation under pressure. Rancher Dan Evans agrees to escort outlaw Ben Wade to the 3:10 train for Yuma, facing ambush, betrayal, and his own wavering resolve. Shot by Charles Lawton Jr. with sun-bleached realism and scored sparingly by George Duning, the film builds suspense through pacing, performance, and moral granularity — not spectacle. It was preserved by the Library of Congress in 2012 for its cultural and aesthetic significance.

13:00

3 Women

Robert Altman · 1977

Robert Altman’s 1977 film 3 Women follows the uncanny merging of identities among a timid young woman, her garrulous roommate and a silent, pregnant artist in a sun-scorched California town. Built from a dream and shot with deliberate, unhurried precision, it uses repetition, reflection and improvisation to explore how selves are borrowed, performed and abandoned.