filmbriefs
Cinematographer · 1957

Bruno Delbonnel

4
briefs
13:00
average
52 min
in total
On film.briefs4
13:00

Faust (2011 film)

Alexander Sokurov · 2011

Alexander Sokurov’s 2011 Faust is a Russian-German co-production, shot across the Czech Republic, Germany and Iceland, and set in an indeterminate 19th-century Europe. Johannes Zeiler stars as Faust, a scholar dissecting corpses in search of the soul, drawn into a pact with Anton Adasinsky’s moneylender — a grotesque, worldly Mephistopheles. Bruno Delbonnel’s cinematography renders the world in Flemish-toned greys and ochres; Andrey Sigle’s score is sparse and resonant. The film won the Golden Lion at Venice and was lauded for its visual rigour and philosophical gravity, though its deliberate opacity divided critics.

13:00

A Very Long Engagement

Jean-Pierre Jeunet · 2004

Jean-Pierre Jeunet’s 2004 film follows Mathilde, a young Breton woman who refuses to accept her fiancé’s death in the First World War. Using letters, archives, and dogged interviews, she reconstructs the fate of five soldiers condemned to no man’s land. Shot by Bruno Delbonnel and scored by Angelo Badalamenti, it balances tactile realism with poetic restraint, anchoring its wartime narrative in the quiet persistence of civilian life in 1920s France.

13:00

Inside Llewyn Davis

Ethan Coen, Joel Coen · 2013

A 2013 Coen brothers film set in early-1961 New York, following folk singer Llewyn Davis over one wintry week. Oscar Isaac stars in a performance defined by vocal authenticity and physical weariness. Bruno Delbonnel’s muted cinematography and T Bone Burnett’s live-recorded folk soundtrack anchor a story that loops rather than progresses — rejecting biopic convention in favour of a precise, unsentimental study of artistic persistence without reward.

13:00

Amélie

Jean-Pierre Jeunet · 2001

Audrey Tautou plays Amélie Poulain, a Paris waitress raised in near-isolation who discovers a box of childhood keepsakes hidden in her apartment and, after tracking down its owner, decides to spend her life secretly engineering happiness for the people around her while avoiding her own romantic chance with a man named Nino. Jean-Pierre Jeunet's 2001 film, shot with heavy digital colour grading and built almost entirely from small, invented rituals, became one of the highest-grossing French films ever released internationally.