Editor

Hervé Schneid

5: briefs
13:00: average
65 min: in total

On film.briefs5

A Very Long Engagement

Jean-Pierre Jeunet · 2004

Jean-Pierre Jeunet’s 2004 film follows Mathilde, a young Breton woman who refuses to accept her fiancé’s death in the First World War. Using letters, archives, and dogged interviews, she reconstructs the fate of five soldiers condemned to no man’s land. Shot by Bruno Delbonnel and scored by Angelo Badalamenti, it balances tactile realism with poetic restraint, anchoring its wartime narrative in the quiet persistence of civilian life in 1920s France.

13:00

Delicatessen

Marc Caro, Jean-Pierre Jeunet · 1991

Delicatessen (1991) is a French fantasy film set in a dilapidated Parisian apartment block where food is scarce and the ground-floor butcher doubles as landlord and killer. Unemployed clown Louison takes a job at the shop, falls for the butcher’s daughter Julie, and unwittingly becomes the object of both affection and appetite among the tenants. With production design that won a European Film Award and a visual style rooted in Brassaï’s monochrome grit, the film sustains a precise, tactile dystopia — one where resistance grows in sewers and romance blooms over shared chores. Directed by Marc Caro and Jean-Pierre Jeunet, it is a debut of uncommon control and dark invention.

13:00

Europa

Lars von Trier · 1991

Lars von Trier’s 1991 arthouse drama Europa uses stark black-and-white cinematography, surreal superimpositions, and second-person narration to tell the story of an American railway conductor drawn into the moral quicksand of occupied Germany. Set against a fictional railway network named Zentropa, the film explores complicity, betrayal, and the impossibility of neutrality in a compromised world. Its formal rigour is uncompromising; its emotional register, deliberately austere.

13:00

The City of Lost Children

Jean-Pierre Jeunet, Marc Caro · 1995

Jean-Pierre Jeunet and Marc Caro’s 1995 science fiction film constructs a decaying, steampunk-adjacent port city where dreams are harvested, children kidnapped, and bodies augmented. Ron Perlman plays a strongman searching for his abducted brother, aided by a resourceful orphan and a salvaged scientist. Its power lies in tactile worldbuilding — costume, lighting, set design — rather than plot mechanics. Though critically admired for its visual imagination, its narrative opacity divides viewers. It is arthouse science fiction that prioritises atmosphere over explanation.

13:00

Amélie

Jean-Pierre Jeunet · 2001

Audrey Tautou plays Amélie Poulain, a Paris waitress raised in near-isolation who discovers a box of childhood keepsakes hidden in her apartment and, after tracking down its owner, decides to spend her life secretly engineering happiness for the people around her while avoiding her own romantic chance with a man named Nino. Jean-Pierre Jeunet's 2001 film, shot with heavy digital colour grading and built almost entirely from small, invented rituals, became one of the highest-grossing French films ever released internationally.