
Pickup on South Street
Samuel Fuller’s 1953 thriller follows a pickpocket who steals microfilm containing state secrets, dragging a disillusioned courier, a cynical informant, and weary detectives into a collision of Cold War paranoia and New York street logic. Shot with documentary restraint by Joseph MacDonald and driven by terse, unsentimental performances — especially Thelma Ritter’s Oscar-nominated turn — it treats ideology as incidental to survival, and patriotism as a negotiable commodity.
