
Sherlock, Jr.
A 1924 silent comedy starring Buster Keaton as a projectionist who dreams himself into the film he is screening. Directed by Keaton and Roscoe Arbuckle (under pseudonym), it uses in-camera tricks, exact camera positioning, and structural repetition to explore cinema’s grammar — not as metaphor, but as physical system. Its dream sequence remains a landmark of formal invention, prioritising spatial logic and editorial precision over character or emotion.
