Actor · 1947

James Woods

4: briefs
13:00: average
52 min: in total

On film.briefs4

Night Moves

Arthur Penn · 1975

Arthur Penn’s 1975 neo-noir follows LA private investigator Harry Moseby (Gene Hackman) as he searches for a missing teenager, only to uncover layers of smuggling, infidelity, and paternal violation across Los Angeles, New Mexico, and the Florida Keys. With Bruce Surtees’ sun-bleached cinematography, Michael Small’s vibraphone-led score, and Dede Allen’s unhurried editing, the film sustains a mood of quiet disillusionment. It offers no resolution—its final image is a bleeding man aboard a boat that circles endlessly—making it less a thriller than a study in moral suspension and psychological erosion.

13:00

Videodrome

David Cronenberg · 1983

David Cronenberg’s 1983 body horror film follows a Toronto TV executive who discovers a mysterious broadcast signal that induces violent hallucinations and physical mutations. Shot in Toronto with a $6m budget, it uses practical effects, analog video textures, and Howard Shore’s synth score to construct a world where media literally rewires the body. Though a box-office failure, it has endured as a cult touchstone for its fusion of psychosexual theory and visceral craft.

13:00

The Virgin Suicides

Sofia Coppola · 1999

Sofia Coppola’s 1999 debut adapts Jeffrey Eugenides’ novel into a hushed, amber-toned portrait of five teenage sisters in 1970s Detroit, observed from afar by neighbourhood boys. Shot by Edward Lachman and scored by Air, it builds mood through stillness, soft focus, and restrained performance — especially Kirsten Dunst’s Lux — avoiding psychology, exposition, or catharsis. Its power lies in what it withholds.

13:00

Casino

Martin Scorsese · 1995

Martin Scorsese's 1995 film, adapted with Nicholas Pileggi from Pileggi's nonfiction book, follows Sam 'Ace' Rothstein, sent by the Chicago Outfit to run the fictional Tangiers casino, as his marriage to hustler Ginger McKenna and his friendship with volatile enforcer Nicky Santoro both collapse around him. Based closely on the real skimming operation run through Las Vegas's Stardust casino in the 1970s, and shot largely inside the actual Riviera casino rather than on built sets, the 178-minute film grossed $116 million against a $50 million budget and earned Sharon Stone an Academy Award nomination.