
The Exterminating Angel
Luis Buñuel’s 1962 Mexican surrealist film follows eighteen wealthy guests trapped in a mansion after a dinner party, unable to cross the threshold despite no physical barrier. Shot in six weeks by Gabriel Figueroa, with a sparse score by Raúl Lavista and editing by Carlos Savage, it uses repetition, stillness, and behavioural precision to dissect ritual, class, and collective inertia. It premiered at Cannes, won the FIPRESCI Prize, and remains a cornerstone of arthouse and comic-horror traditions.
