
Black God, White Devil
Glauber Rocha’s 1964 Black God, White Devil is a foundational Cinema Novo film set in Brazil’s drought-ravaged sertão. It follows a ranch hand and his wife as they flee, convert, join bandits, and flee again — never escaping cycles of violence sanctified by religion or revolution. Shot in stark black and white, edited by Rocha himself, and scored by Sérgio Ricardo, it treats myth and history as inseparable, and endurance as the only authentic political act.

