
L’Age d’Or
L’Age d’Or (1930) is a foundational surrealist film by Luis Buñuel and Salvador Dalí, financed by aristocratic patrons and banned within weeks of its Paris premiere. Composed of jarring, non-sequential vignettes, it charts a couple’s thwarted passion amid scenes of institutional absurdity — religious ceremony, high society, and de Sadean fantasy. Its power lies in rhythmic disruption, not narrative logic; in visual provocation, not psychological depth. Though historically significant and formally audacious, its hostility to coherence and empathy makes it demanding, not diverting.
