Actor · Voice actor · 1932–2013

Peter O'Toole

4: briefs
13:00: average
52 min: in total

On film.briefs4

The Last Emperor

Bernardo Bertolucci · 1987

Bernardo Bertolucci’s 1987 epic traces the life of Puyi, last Emperor of China, from infant coronation in the Forbidden City to political re-education in a Communist prison. Shot on location in Beijing with unprecedented access, it uses scale, silence and ritual to explore how systems — imperial, colonial, fascist, communist — inscribe themselves on a single body. John Lone stars, supported by Joan Chen, Peter O'Toole and a cast of thousands. Vittorio Storaro’s cinematography and Ryuichi Sakamoto’s score anchor its formal rigour. It won nine Academy Awards, including Best Picture and Best Director.

13:00

The Ruling Class

Peter Medak · 1972

Peter Medak’s 1972 adaptation of Peter Barnes’s play stars Peter O'Toole as Jack Gurney, a paranoid schizophrenic who inherits a peerage and cycles between believing he is Christ and Jack the Ripper. Set against the decaying grandeur of Harlaxton Manor, the film uses theatrical staging, sharp dialogue and O'Toole’s ferocious performance to dissect class, psychiatry and institutional power. Though divisive on release, it endures as a formally bold, morally uncompromising satire.

13:00

Lawrence of Arabia

David Lean · 1962

David Lean’s 1962 epic follows T. E. Lawrence’s immersion in the Arab Revolt during the First World War. Peter O'Toole stars in a performance defined by restraint and volatility, supported by Freddie Young’s monumental Super Panavision 70 cinematography and Maurice Jarre’s evocative score. The film prioritises atmosphere over exposition, using vast, still landscapes to chart internal collapse and reinvention. Though rooted in history, it functions as a psychological portrait — of identity, allegiance and the cost of translation between worlds.

13:00

Ratatouille

Brad Bird, Jan Pinkava · 2007

Remy, a rat with a chef's palate, teams up with a hapless kitchen boy to cook at a Paris restaurant neither of them is supposed to be running. Brad Bird's 2007 film pairs slapstick with unusually sincere arguments about taste, talent and where either one is allowed to come from.