Masaki Dōmoto

Patriotism

Patriotism (1966) is a thirty-minute silent black-and-white short directed by Yukio Mishima and Masaki Dōmoto, adapting Mishima’s 1960 story. It depicts the final hours of a young army officer and his wife after the 1936 Tokyo coup attempt, culminating in their joint suicide. Shot in two days with stark Noh-influenced staging, it uses static frames, high-contrast cinematography by Kimio Watanabe, and intertitles to render devotion, ritual, and mortality as inseparable. Richard Wagner’s music accompanies some screenings, though the film itself is silent. Rediscovered in 2005 after Mishima’s widow ordered its destruction, it remains a singular, uncompromising work of formal and philosophical austerity.