
Storytelling
Todd Solondz’s 2001 film Storytelling divides itself into two unrelated segments — 'Fiction' and 'Non-Fiction' — each dissecting how narrative power operates in education, documentary, and family life. With restrained performances, underlit interiors, and a refusal to resolve its ethical dilemmas, it sustains a low, persistent discomfort. Its value lies in structural rigour and thematic consistency, not emotional payoff.
