Cinematographer

Darius Khondji

4: briefs
13:00: average
52 min: in total

On film.briefs4

Delicatessen

Marc Caro, Jean-Pierre Jeunet · 1991

Delicatessen (1991) is a French fantasy film set in a dilapidated Parisian apartment block where food is scarce and the ground-floor butcher doubles as landlord and killer. Unemployed clown Louison takes a job at the shop, falls for the butcher’s daughter Julie, and unwittingly becomes the object of both affection and appetite among the tenants. With production design that won a European Film Award and a visual style rooted in Brassaï’s monochrome grit, the film sustains a precise, tactile dystopia — one where resistance grows in sewers and romance blooms over shared chores. Directed by Marc Caro and Jean-Pierre Jeunet, it is a debut of uncommon control and dark invention.

13:00

Midnight in Paris

Woody Allen · 2011

Woody Allen’s 2011 romantic comedy follows a screenwriter who, while visiting Paris, begins nightly journeys to the 1920s — not to change history, but to confront his own dissatisfaction with the present. Shot on location with Darius Khondji’s amber-toned cinematography and anchored by Owen Wilson’s understated performance, it uses time travel as emotional shorthand rather than speculative premise. It won the Academy Award for Best Original Screenplay.

13:00

My Blueberry Nights

Wong Kar-wai · 2007

My Blueberry Nights is Wong Kar-wai’s 2007 English-language debut, following Norah Jones as Elizabeth, a woman drifting across New York, Memphis, and Nevada after a breakup. Shot by Darius Khondji and edited by William Chang, it prioritises atmosphere over plot, using diners, motels, and bars as emotional landscapes. Though praised for its visual texture and restraint, its episodic structure and underdeveloped arcs drew mixed reviews. It remains a distinctive, if slender, entry in Wong’s filmography.

13:00

The City of Lost Children

Jean-Pierre Jeunet, Marc Caro · 1995

Jean-Pierre Jeunet and Marc Caro’s 1995 science fiction film constructs a decaying, steampunk-adjacent port city where dreams are harvested, children kidnapped, and bodies augmented. Ron Perlman plays a strongman searching for his abducted brother, aided by a resourceful orphan and a salvaged scientist. Its power lies in tactile worldbuilding — costume, lighting, set design — rather than plot mechanics. Though critically admired for its visual imagination, its narrative opacity divides viewers. It is arthouse science fiction that prioritises atmosphere over explanation.