
The State of Things
Wim Wenders’ 1982 Golden Lion winner follows a film crew stranded in Portugal when funding and film stock run out. Director Friedrich Munro travels to Los Angeles to find his missing producer, navigating a landscape of mobile homes, unpaid debts, and suspended creativity. Shot across Portugal and California with a mix of black-and-white and colour, and featuring cameos from Fuller, Corman and Kramer, it is a self-aware, deliberately unhurried meditation on the material conditions of filmmaking—and the quiet endurance required when nothing moves forward.
