Actor

Anupam Kher

4: briefs
13:00: average
52 min: in total

On film.briefs4

Rang De Basanti

Rakeysh Omprakash Mehra · 2006

Rang De Basanti (2006) follows five Delhi students drawn into a British filmmaker’s documentary about 1920s Indian revolutionaries. As they rehearse acts of defiance, real-world corruption forces them to confront their own passivity. Directed by Rakeysh Omprakash Mehra, with cinematography by Binod Pradhan and music by A. R. Rahman, it blends contemporary realism with historical re-enactment to ask what civic courage costs today. Though its climax strains credibility, its emotional logic and ensemble performances sustain its 157-minute runtime.

13:00

Dilwale Dulhania Le Jayenge

Aditya Chopra · 1995

Dilwale Dulhania Le Jayenge (1995) is a 245-minute Hindi romantic drama directed by Aditya Chopra, starring Shah Rukh Khan and Kajol as NRIs whose courtship centres on winning parental consent rather than eloping. Shot across Switzerland, London and Punjab, it uses song, gesture and sustained tone to affirm family values without rejecting individual desire. Its enduring theatrical run — still screening daily in Mumbai since 1995 — reflects its design as ritual, not narrative.

13:00

Kuch Kuch Hota Hai

Karan Johar · 1998

Kuch Kuch Hota Hai (1998) is Karan Johar’s directorial debut: a Hindi-language romantic drama starring Shah Rukh Khan, Kajol, and Salman Khan. Structured across two timeframes, it follows a widower and his daughter as she reunites him with his college best friend. Shot in India, Mauritius, and Scotland, it blends aspirational visuals with classical storytelling—letters, songs, and delayed confessions—to explore inheritance, grief, and second chances. Its emotional logic is unwavering, its craft precise, and its cultural impact enduring.

13:00

Lust, Caution

Ang Lee · 2007

Ang Lee’s 2007 adaptation of Eileen Chang’s novella follows a Chinese student who infiltrates the inner circle of a collaborator in Japanese-occupied Shanghai. Her mission blurs into intimacy, culminating in a choice that fractures loyalty, desire and selfhood. Shot by Rodrigo Prieto and scored by Alexandre Desplat, it is a slow, tactile study in moral erosion — less thriller than forensic portrait of how power reshapes the body and mind.